LIDA - Artigos em revistas internacionais
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- Ceramic products and their chromatic ‘DNA’ markersPublication . Lobo, CarlaOriginally produced with local raw materials and manufactured by ancestral processes, ceramic products have always been the result of knowledge transmitted from generation to generation. These artefacts reflect and reinterpret traditional, individual and collective formal vocabularies, integrating fragments of the day-to-day life of the local society, which conferred a geographical and sociocultural singularity revealing their local, regional, and national identities. From intrinsic to extrinsic characteristics, from raw materials to formal language, it is possible to find a plethora of combinatorial markers that characterize and differentiate these ceramic products – in other words, their ‘DNA’. Among such DNA markers, colour has been a geographical and cultural ‘locator’ par excellence of ceramic products: either by the colouration of raw materials, or inks or glazes, or by adopted colour schemes, which reflect not only the local availability of pigments and oxides, but also local preferences and culture. Furthermore, the characteristics of firing, an alchemical process, revealing a myriad of chromatic solutions based on acquired and arcane knowledge, confer a unique character to such ceramic products. The present globalization era has given way to the emergence of ‘transgenic’ ceramics, uprooted from their origins. Despite the resurgence of the appreciation of local knowledge and traditions as a reaction to this scenario, can we still identify clear references to their origin – ceramic chromatic DNA markers – even if these artefacts are the result of this ‘transgenic mutation’? The study substantiates that colour, as a DNA marker of ceramic products still exists, and is associated to cultural identity.
- A INDUSTRIA CERÂMICA DA LOUÇA UTILITÁRIA E DECORATIVA NA PERSPECTIVA DAS ESTRATÉGIAS DO LANÇAMENTO DE NOVOS PRODUTOS DE ECO-DESIGNPublication . Frade, José Manuel Couceiro Barosa Correia; Ferroli, Paulo Cesar MachadoEste artigo pretende evidenciar estratégias de eco-design e de sustentabilidade que são aplicadas no processo de design de novos produtos em empresas dos subsetores industriais da cerâmica utilitária e decorativa em portugal. A divulgação deste trabalho pretende servir como fonte de inspiração ao design de futuros produtos que se diferenciem por serem ambientalmente adequados, economicamente viáveis e socialmente responsáveis, fatores que são cada vez mais importantes nos critérios de decisão dos consumidores nomeadamente dos mercados internacionais mais exigentes e evoluídos onde as empresas portuguesas comercializam os seus produtos.
- Quarry Sonnets: Artistic Methodologies in More-than-Human ReasoningPublication . Santos, MiguelThe article proposes a posthumanist, site-led mode of reasoning in which geological, ecological, climatic, and human forces participate in shaping artistic practice. It draws on Quarry Sonnets, a nine-day, practice-led field project at the Vale de Meios limestone quarry in Portugal’s Serras de Aire e Candeeiros Natural Park in late November 2022, involving forty-five participants from six European art schools. Treating art practice as a way of knowing, the project convened open, revisable ways of working—walking, listening, iterative making, and collective reflection—so that the quarry’s tempos, weather, fossils, and working traces could co-author inquiry. Methodologies were held lightly and adjusted in practice, with decisions led by what the site made possible on a given day rather than preset outcomes. Two orienting commitments—attunement and composting knowledge—held diverse practices and partial understandings in contact without forcing consensus. The article’s contribution is to foreground artistic practice as a way of organizing environmental research by expanding who participates and what counts as evidence, while refusing closure into templates, solutions, or toolkits. In this register, research proceeds with the quarry and its more-than-human relations as a co-author that sets pace and constraint, keeping political and ecological questions active without resolving them in advance.