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Publication
Kinky Ceramics
| Name: | Description: | Size: | Format: | |
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| 44.55 MB | Adobe PDF |
Authors
Abstract(s)
O design tem o poder de desafiar convenções, de moldar novos discursos e de ressignificar objetos e práticas. Kinky Ceramics nasce desse impulso transgressor, fazendo a interseção entre a tradição cerâmica com o universo simbólico do fetichismo. Aqui, peças de tipologia clássica são subvertidas, ganhando novas camadas de significado ao incorporarem artefatos BDSM. O barro, matéria ancestral, torna-se provocação e manifesto, um convite à reflexão sobre a pluralidade do desejo e os limites impostos pela normatividade. Este projeto não se limita à materialização de objetos, ele transforma a cerâmica em linguagem, num discurso visual e tátil que instiga, desafia e questiona. A colaboração com o ceramista Miguel Neto permitiu que o saber artesanal se fundisse à exploração especulativa, demonstrando que a tradição não precisa ser estática, mas sim um território de constante reinterpretação.
Ao cruzar metodologias do design crítico e design especulativo, Kinky Ceramics inscreve-se num espaço de fricção entre passado e futuro, entre norma e dissidência.
Mais do que uma coleção, é um ensaio material sobre a relação entre o corpo, o desejo e a cultura. Um manifesto moldado em barro e consolidado pelo fogo.
Design has the power to challenge conventions, to shape new narratives, and to redefine objects and practices. Kinky Ceramics emerges from this transgressive impulse, intertwining the ancestral tradition of ceramics with the symbolic universe of fetishism. Here, classical typologies are subverted, gaining new layers of meaning through the incorporation of BDSM artifacts. Clay, an ancestral medium, becomes provocation and manifesto—a tactile invitation to reflect on the plurality of desire and the constraints imposed by normativity. This project extends beyond the creation of objects; it transforms ceramics into language, a visual and tactile discourse that provokes, unsettles, and questions. The collaboration with ceramicist Miguel Neto allowed artisanal knowledge to merge with speculative exploration, proving that tradition is not static but a field of continuous reinterpretation. By bridging methodologies from critical design and speculative design, Kinky Ceramics positions itself within the friction between past and future, between norm and dissidence. More than a collection, it is a material essay on the relationship between body, desire, and culture, a manifesto shaped in clay and consolidated with fire.
Design has the power to challenge conventions, to shape new narratives, and to redefine objects and practices. Kinky Ceramics emerges from this transgressive impulse, intertwining the ancestral tradition of ceramics with the symbolic universe of fetishism. Here, classical typologies are subverted, gaining new layers of meaning through the incorporation of BDSM artifacts. Clay, an ancestral medium, becomes provocation and manifesto—a tactile invitation to reflect on the plurality of desire and the constraints imposed by normativity. This project extends beyond the creation of objects; it transforms ceramics into language, a visual and tactile discourse that provokes, unsettles, and questions. The collaboration with ceramicist Miguel Neto allowed artisanal knowledge to merge with speculative exploration, proving that tradition is not static but a field of continuous reinterpretation. By bridging methodologies from critical design and speculative design, Kinky Ceramics positions itself within the friction between past and future, between norm and dissidence. More than a collection, it is a material essay on the relationship between body, desire, and culture, a manifesto shaped in clay and consolidated with fire.
Description
Keywords
Design crítico Design especulativo Cerâmica Fetichismo BDSM Cultura material Transgressão