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A State of Mediocrity in Art

datacite.subject.fosHumanidades::Artespt_PT
dc.contributor.advisorSoares, Marta Isabel Gonçalves
dc.contributor.authorTakehara, Shinji
dc.date.accessioned2016-04-15T09:13:31Z
dc.date.available2016-04-15T09:13:31Z
dc.date.issued2014-12-31
dc.description.abstractRecently, art works that make trajectories in a situation fragmented by postmodernism as a reaction to modernism, have risen. They show trajectory of travels over different time and different space. Allochronic or multiplicity makes it possible. I will focus on how we are able to be multiple. I assume we are able to take a cue of a methodology from a mechanism of a ‘’teratogenesis’’ of japan. It is a passive function, and makes it possible for us to be multiple by staying on an intermediate place between connection and disconnection. In this thesis I propose myself to analyze the notion of ‘’Bad Place’’ created by the Japanese art critic Noi Sawaragi (b.1962), works of Takashi Murakami (b.1962), the concept of ‘’Altermodern’’ suggested by Nicolas Bourriaud (b.1965), thoughts of Existence in Buddhism, affinity, and difference between ‘’snobbism’’ and one of Japanese aesthetic iki, works of Koki Tanaka (b.1975), the metaplasticity of the brain and my own projects.pt_PT
dc.identifier.tid201122456pt_PT
dc.identifier.urihttp://hdl.handle.net/10400.8/1755
dc.language.isoengpt_PT
dc.subjectArte contemporâneapt_PT
dc.subjectPós-modernismopt_PT
dc.titleA State of Mediocrity in Artpt_PT
dc.typemaster thesis
dspace.entity.typePublication
rcaap.rightsopenAccesspt_PT
rcaap.typemasterThesispt_PT
thesis.degree.nameMestradopt_PT

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