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Authors
Advisor(s)
Abstract(s)
This paper begins with the assertion, made by Jean Baudrillard, that the technologically mediated image has a strong predisposition to perversity. Starting with this approach, we have situated this analysis between the contact line of the artistic productions created with the aid of technology and the representations of the self through social networks. To this end, we have postulated three key concepts in which we highlight the role of the mediated image in artistic practices at the turn of the 20th century, in particular with the Fluxus movement. Secondly, we’ll discuss the underlying process of the informational aesthetics and the dialogical communication based on artworks created to operate in the communication and information network and, finally, we’ll conclude with a consideration of the importance that this interfaces grasp in shifting the way we experience the real.
Description
Comunicação apresentada na Conferência Internacional de Investigação em Design da Universidade da Beira Interior - DESIGNA 2013.
Keywords
Interface Visual arts Social networks Real Vs virtual Mediated images
Citation
In: Designa 2013: Interface, Proceedings, pp. 333-341.