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- Dance and the (Digital) Archive: A Survey of the FieldPublication . Fernandes, Carla; Coelho, Sílvia Pinto; Vieira, Ana BigotteThis paper offers a conspectus of several online dance archives made in the context of the Portuguese research project TKB. The online searches we conducted from 2018 to the end of 2019 suggested four broad categories of resources for what one may call 'online dance archives'. Aiming to observe how dance resources are available on the internet, we made each category correspond to a different operation-to collect (to build up a collection), to accumulate (to gather almost random material), to store (to organize according to a set of rules), to assemble (to compose and curate material). And we posed the same set of questions: For each of these categories: What is the mission of the archive, who are its subjects and objects, and which community of users does it bring together? The outcome is both a general overview, and the possibility of a comparative approach. Our original motivation has been to survey and to analyse a sample of available online resources for dance documentation and/or archiving, in order to feed TKB future projects and experiences. Starting from the TKB project perspective, and aiming at categorizing the different approaches to storage, curation, ownership and availability reflected by those archival platforms, we finally identified three major challenges in the relation between dance and the digital archive: The question of access, the ontology of dance and archive-what it is, what it has been, and what 'dance and archiving' can become in the future-, and the 'Will to archive' (cf. Lepecki 2010). Each one of these challenges will eventually provoke new questions as to the future of the TKB project and of its team of researchers, and the nature of the work they may undertake.
- Lab Brazil: Parquear Bando digital annotation: on digital scores for collective performance interventions in public spacesPublication . Rosa, Thembi; Fernandes, CarlaParquear Bando is an urban intervention designed for up to 20 people to perform in urban city centres. While describing this urban intervention and analysing parts of the material available in the online pilot publication, we will discuss the limits and potentialities of a digitization process for this improvised performance. We question whether it would be possible to use digital annotations as support for future performances of this collective action without the physical presence of its facilitators but still maintaining the main concerns and principles of Parquear Bando. The three-day workshop shares the intervention’s most common structure and composes a performance to be shown in a selected place of each city. During the Motion Bank Lab Brazil 2019, we started to create a digital archive for the workshop with the aim of finding a consistent documentation model using video annotations, recording interviews and digitizing some of the choreographers’ notebooks. Beyond the digital archive of this urban intervention, we are also interested in making the score and movement principles of this piece available to other groups who could perform Parquear Bando in different contexts.