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O T H E R V I S U A L : Onto the Audiovisual Cooking

dc.contributor.authorLaranjeira, Inês
dc.contributor.authorMota, João António de Almeida
dc.date.accessioned2021-11-29T16:00:35Z
dc.date.available2021-11-29T16:00:35Z
dc.date.issued2021-06-09
dc.date.updated2021-11-29T15:48:02Z
dc.description.abstractThis paper inquiries about the kitchen as space of vibrant materiality for representation and agency for art, design and architecture practices. On meeting the challenges posed by the coronavirus pandemic, it is not incidental that the 5th Istanbul Design Biennial curated by Mariana Pestana under the theme “Empathy Revisited: designs for more than one” has chosen the kitchen as a means to create spaces of discourses, exchange and collective reflection. Taking into account Jeffrey and Shaowen Bardzell’s view of “What Is ‘Critical’ about Critical Design?” (2013), this paper surveys the biennial’s programme “The Critical Cooking Show” which presents a digital programme of films, lectures and performances that reimagine the kitchen as a space central to design thinking and production. Deepening our sensibilities as to how criticality occupies design practices, we have to further understand the expanded space of the kitchen and what it really offers to expand the space of design. From the triangulation kitchen, design and process, evidence is searched for bridging process between the fields of kitchen and design following Buchanan’s theory of rethinking placements over categories by way of signs, things, actions and thoughts. Kitchen and design are thus understood as liberal arts disciplines seeking to privilege a placement-based approach to projectual practice where observations on the speculative allow reflections of the self and modes of action. Pallasmaa’s conception of an architecture of the senses, for whom the role of the body is understood as the locus of perception, thought and consciousness, helps explore and convoke the space of kitchen visited by artists and designers throughout recent history, as a means to establish relations between theories, processes, and projectual methodologies in kitchen and design. The reading of the space finds its translation through diverse processes applied by these creators leading to an understanding of a kitchen milieu: process as context. From the interpretation of the empirical work it is suggested that kitchen multiplies design (k x d). It implies that the context of kitchen multiplies the space of the discipline of design, becoming, in Buchanan’s term, a “quasi-subject matter of design thinking”. If so, kitchen as other placements may offer, or are open to receive and edify, an expanded view of the discipline of design.pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.doi10.24140/ijfma.v6.n1.04pt_PT
dc.identifier.issn2183-9271
dc.identifier.slugcv-prod-2606398
dc.identifier.urihttp://hdl.handle.net/10400.8/6374
dc.language.isoengpt_PT
dc.peerreviewedyespt_PT
dc.rights.urihttps://creativecommons.org/licenses/by-nc/4.0/pt_PT
dc.subjectCriticalitypt_PT
dc.subjectKitchenpt_PT
dc.subjectProcesspt_PT
dc.subjectProjectual practicespt_PT
dc.subjectSensespt_PT
dc.titleO T H E R V I S U A L : Onto the Audiovisual Cookingpt_PT
dc.typejournal article
dspace.entity.typePublication
oaire.citation.conferencePlacePortugalpt_PT
oaire.citation.endPage91pt_PT
oaire.citation.startPage73pt_PT
oaire.citation.titleInternational Journal of Film and Media Artspt_PT
oaire.citation.volume6pt_PT
person.familyNameLaranjeira
person.givenNameInês
person.identifier.ciencia-id3312-B831-5A0F
person.identifier.orcid0000-0002-3564-1911
rcaap.cv.cienciaid3312-B831-5A0F | Maria Inês dos Santos Laranjeira
rcaap.rightsopenAccesspt_PT
rcaap.typearticlept_PT
relation.isAuthorOfPublicationc0a98870-222e-4f97-83e0-24e6e2846c57
relation.isAuthorOfPublication.latestForDiscoveryc0a98870-222e-4f97-83e0-24e6e2846c57

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